stefkeB

Falling begins quite soft, but after the bridge it is again quite heavy. Live recording at the Muziekkot in Herne at 25/7/2006.

A video-recording of the first Transport Aerian gig at the Muziekkot in Herne (on 25/7/2009). Oh my... The sound is good (make sure to watch the HQ version), but I hear all my stupid mistakes...

1:49 minutes (1.66 MB)

An electronic playfull theme. Added some basic beats and beefed up the whole of the sound a bit.

8:56 minutes (8.18 MB)

A recording during an improvisation, together with Jan. I was recording my new Marshall for the first time and it took a while to get the best connection. I think I found a better connection afterwards: the amp has an emulated Cabinet (4x12") output, which I can connect using an XLR cable and a plug to a Jack-connection into my audio interface.

The lyrics were already written and during a break at noon I recorded them. I used my Sure SM58 (for which I have reasonable hints that it's a fake).

3:48 minutes (3.48 MB)

Somewhere between rock and pop. It starts quite (= "stil") and grows during the song. It becomes rougher when the drums kick in. The lyrics suggest but don't explain what really happens/happened.

1:28 minutes (1.35 MB)

Playing with the Operator synth in Live. Very simple song, with a voice-like melody and a drumloop. Pils = beer.

1:04 minutes (1004.94 KB)

Filtered drums and wide soft pads. It also includes some noisy creepy pads. This could be used in a soundtrack or so.

1:03 minutes (986.17 KB)

Second hospital beats. Now with a filtered simple drum pattern and a "oh" melody, straight from the eighties and the Art of Noise hits. This one is also quite poppy and has a happy sound.

1:40 minutes (1.53 MB)

First Hospital Beats. If I remember correctly, it was created while I was accompagnying my son when he was in hospital for a week. I brought my laptop and a headphone. There is a sweet flute-like melody and syncopated rhythmic patterns. It is quite poppy, but not fully elaborated into a song.

1:40 minutes (1.54 MB)

I often improvise on metal riffs, but seldomly record them. When I borrowed a Korg AX3000G from my brother Peter, I noticed it had some emulations of Mesa Boogie amplifiers, which are often used in current metal recordings. This is an improvised example. Rather slow and with little variation. It uses drum loops.